{Bibliography}

Adkins, Cecil (1990) ‘Oboes Beyond Compare: The Instruments of Hendrik and Fredrik Richters’, Journal of the American Musical Instrument Society no.16/1990 pp.42–117

 

Adkins, Cecil (1996) ‘William Milhouse and the English Classical Oboe’, Journal of the American Musical Instrument Society no.22/1996 pp.42–88

 

Adkins, Cecil (1999) ‘Proportions and Architectural Motives in the Design of the Eighteenth-Century Oboe’, Journal of the American Musical Instrument Society no.25/1999 pp.95–132

 

Adkins, Cecil (2001)’The German Oboe in the Eighteenth Century’, Journal of the American Musical Instrument Society no.27/2001 pp.5–47

 

Altenburg, Wilh. (1897) ‘Ein seltenes Englisch-Horn’, Zeitschrift für Instrumentenbau no.18/8 December 1897 pp.193–5

 

Annuaire du Conservatoire royal de musique de Bruxelles (1878), 2ème année (Bruxelles: Muquardt)

 

Awouters, M., De Keyser I. & Vandenberghe S. (1985) Brugge, Gruuthuusemuseum. Catalogus van de Muziekinstrumenten (Brugge: Stad Brugge)

 

Baines, Anthony (1966) European and American Musical Instruments (London: BT Batsford LTD)

 

Barret, Apollon-Marie-Rose (1850) A Complete Method for the Oboe (London: Jullien) 2nd Edition 1862 (London: Lafleur)

 

Bate, Philip (1962) The Oboe. An Outline of Its History and Development, 2nd edition (London: Ernest Benn)

 

Bouterse, Jan (2005) Dutch Woodwind Instruments and their Makers 1660–1760, Book + Cd-rom (Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis)

 

Brod, Henri (1830) Méthode pour le hautbois, part 1 and 2 (Paris: Schonenberger)

 

Brown, James (2006) Our Oboist Ancestors, a guide to who was who in the nineteenth century oboe world (Malmesbury: Abbey Printing)

 

Burgess, Geoffrey & Haynes, Bruce (2004) The Oboe (New Haven and London: Yale University Press)

 

Camboulive, François (1995) ‘N.E. Thibouville 1823–1891, Facteur d’instruments de musique à vent’, Larigot 17/1995 pp.8–11

 

Closson, Ernest (1935) La facture des instruments de musique en Belgique (Huy: Degrace)

 

Couesnon (1934) Catalogue Illustré (Paris-Xième, 94 Rue d’Angoulème)

 

Dahlqvist, Reine (1973) ‘Taille, Oboe da Caccia and Corno Inglese’, The Galpin Society Journal  26/1973 pp.58–71

 

Da Silva, José (1992) ‘Contribution aux tentatives de repérage chronologique des hautbois Triebert Fils (Frédéric)’, Larigot no.10/1992 pp.8–15

 

De Keyser, Ignace (1994) ‘MAHILLON, Victor-Charles, facteur d’instruments de musique (1841–1924)’, Nouvelle Biographie Nationale, vol.3 pp.245–8 (Brussels: Académie royale des sciences, des lettres et des beaux-arts de Belgique)

 

De Keyser, Ignace (1996) De geschiedenis van de Brusselse muziekinstrumentenbouwers Mahillon en de rol van Victor-Charles Mahillon in het ontwikkelen van het historisch en organologisch discours omtrent het muziekinstrument (PhD. University of Ghent, 1995–6)

 

De Keyser, Ignace & Willaert, Saskia (Editor) (2006) Victor-Charles Mahillon en de oprichting van het Brusselse Muziekinstrumentenmuseum (Brussel)

 

De Vries, Han & Tilmans, Helen (1999) Hobo d’Amore, de Verzameling hobo’s (1680–1980) van Han de Vries (Enschede: Rijksmuseum Twenthe)

 

Dullat, Günter (2010) Verzeichnis der Holz- und Metallblasinstrumentenmacher auf  deutschsprachigen Gebiet von 1500 bis Mitte des 20. Jahrhunderts (Tutzing: Hans Schneider)

 

Fétis, François-Joseph (1856) Exposition universelle de Paris, 1855 fabrication des instruments de musique Rapport de M. Fétis (Paris: Impr. Impériale)

 

Fétis, François-Joseph (1866) Biographie universelle des musiciens et bibliographie générale de la musique (Paris: Firmin Didot Frères, Fils et Cie)

 

Finkelman, Michael (1998–2000) ‘Die Oboeninstrumente in tieferer Stimmlage’, Teil I: Tibia no.4/1998 pp.274–281; Teil II: Tibia no.1/1999 pp.364–8; Teil III: Tibia no.2/1999 pp.451–6; Teil IV: Tibia no.3/1999 pp.537–541; Teil V: Tibia no.4/1999 pp.618–624; Teil VI: Tibia no.1/2000 pp.25–32; Teil VII: Tibia no.2/2000 pp.106–111; Teil VIII Tibia no.3/2000 pp.204–8

 

Gendron Christian (1997) Auguste Tolbecque, luthier et musicien (Niort: Musées de Niort)

 

Gérard, Michel (2009) ‘Un hautbois (pas tout à fait) comme les autres’, La Lettre du hautboïste, Revue de l’Association française du hautbois, no.24/2009 pp.2–11

 

Giannini, Tula (1993a) Great Flute Makers of France – The Lot and Godfroy Families (1650–1900) (London: Tony Bingham)

* Complementary article (AMIS internet feature article): A French Dynasty of Master Woodwind Makers Revealed, Bizey, Prudent and Porthaux, Their Workshop in Paris, rue Dauphine, St. André des Arts, ca. 1745–1812: New Archival Documents. http://mysite.pratt.edu/~giannini/amisarticle.htm

Giannini, Tula (1993b) ‘Jacques Hotteterre le Romain and his father, Martin’, Early Music no.21 August 1993 pp.377–395

 

Giannini, Tula (2005) ‘Frédéric Triebert (1813–1878), Designer of the Modern Oboe: Newly Found Archival Documents Featuring the Inventory and Auction of his Musical Instrument Enterprise’, Liber amicorum Isabelle Cazeaux Symbols, Parallels and Discoveries in Her Honor, The Festschrift Series no.19 (Hillsdale NY: Pendragon Press)

 

Hailperin, Paul (1975a) ‘Three Oboes d’Amore from the Time of Bach’, The Galpin Society Journal 28/1975 pp.26–36

*‘Additions and Amendments’ The Galpin Society Journal 30/1977 pp.153–4

 

Hailperin, Paul (1975b) ‘Current Register of Historic Instruments’, The Galpin Society Journal 28/1975 pp.130–2

 

Haine, Malou & Meeùs, Nicholas (1986) Dictionnaire des facteurs d’instruments de musique en Wallonie et à Bruxelles (Liège: Pierre Mardaga)

 

Haine, Malou & De Keyser, Ignace (1980) Catalogue des instruments Sax au Musée instrumental de Bruxelles (Gent: Erasmus)

 

Haine, Malou; James, Allen & De Keyser, Ignace (1989) Musical instruments in Belgian collections - Muziekinstrumenten in Belgische verzamelingen (Liège: Mardaga)

 

Halfpenny, Eric (1949) ‘The English 2- and 3-Keyed Hautboy’, The Galpin Society Journal 2/1949 pp.10–26

 

Halfpenny, Eric (1965) ‘Early English Clarinets’, The Galpin Society Journal 18/1965 pp.42–65

 

Hart, Günter (1961) ‘Die Holzblasinstrumentenmacher Eisenmenger. Ein Beitrag zur Geschichte des Mannheimer Musik- instrumentenbaus’, Mannheimer Hefte 2/1961 pp.40–44

 

Haynes, Bruce (2001) The Eloquent Oboe, a History of the Hautboy from 1640 to 1760 (Oxford: Oxford University Press)

 

Haynes, Bruce (2002) A History of Performing Pitch, The story of “A” (Lanham, Maryland and Oxford: The Scarecrow Press Inc.)

 

Heckel, Wilhelm Hermann (R2000) ‘The Bassoon (Der Fagott)’ (translation of the original 1931 text by L.G.Langwill; rev. D.Waples), The Woodwind Quarterly no.20/2000 pp.35–46

 

Heyde, Herbert (1976) Historische Musikinstrumente im Bachhaus Eisenach (Eisenach: Bachhaus)

 

Heyde, Herbert (1982) Hörner und Zinken, Musikinstrumenten-Museum der Karl-Marx-Universität Leipzig, Katalog [5] (Leipzig: VEB Deutscher Verlag für Musik)

 

Heyde, Herbert (1993) ‘Die Werkstatt von Augustin Grenser d. Ä. und Heinrich Grenser in Dresden’, Tibia no.4/1993 pp.593–602

 

Howe, Robert (2003) ‘The Boehm Système Oboe and its Role in the Development of the Modern Oboe’, The Galpin Society Journal 61/2003 pp.27–60

 

Howe, Robert (2011) 'Nineteenth-Century French Oboe Making Revealed: a Translation and Analysis of the Triebert et Cie ‘1855’ Nouveau Prix-Courant', The Galpin Society Journal 64/2011 pp.79–116 and pp.188–94

 

Howell, Jocelyn & Myers, Arnold (2015) 'Hawkes & Son: Instrument Makers', The Galpin Society Journal 68/2015 pp.121–149

 

Jansen, Will (1978) The Bassoon, its History, Construction, Makers, Players and Music (Buren: Frits Knuf)

 

Kirnbauer, Martin (1994) Verzeichnis der europäischen Musikinstrumente im Germanischen Nationalmuseum Nürnberg. Bd.2. Flöten- und Rohrblattinstrumente bis 1750 (Wilhelmshaven: Florian Noetzel Verlag)

 

Lagye, Gustave (1874) ‘l’Exposition des arts industriels de Bruxelles – 1874 – Groupe XXXV Instruments de musique, Exposition de M.M. Mahillon de Bruxelles’, reprint in Larigot no.33/2004 pp.17–20

 

Lardrot, André (2001) ‘Henri Brod, hautboïste, luthier, inventeur, compositeur (13 juin 1799 – 6 avril 1839)’; La Lettre du hautboïste, Revue de l’Association française du hautbois, no.8/2001 pp.24–39

 

Lasocki, David (2010) ‘New Light on Eighteenth-Century English Woodwind Makers from Newspaper Advertisements’, The Galpin Society Journal 63/2010 pp.73–142

 

Lorée, F (1913) Prix-courant 1913 (Paris: Imp.de l’Est)

* Facsimile reprint in Larigot no.20 décembre 1996

 

Mahillon, Victor-Charles (1884) Article: 'Oboe or Hautboy', Encyclopaedia Britannica 9th edition (1870–1890) Vol.17 (1884) pp.705–8 (Edinburgh, London: Adam and Charles Black)

 

Mahillon, Victor-Charles (R1978): Catalogue descriptif et analytique du Musée instrumental du Conservatoire royal de Bruxelles Vol.I-V 2nd ed. 1893–1923 (Gent: Ad.Hoste). Reprint 1978 (Bruxelles: Les Amis de la Musique)

 

Maunder, Richard (1998) ‘Bibliographical Index of Viennese Wind-Instrument Makers’, The Galpin Society Journal 51/1998 pp.170–91

 

Montagu, Jeremy (1990) ‘An Oboe by Hendrik Richters’, The Galpin Society Journal 43/1990 pp.124–43

 

Myers, Arnold (1989) ‘Cataloguing Standards for Instrument Collections’, CIMCIM Newsletter no.14 (Edinburgh) pp.14–28

 

Myers, Arnold (1999) Historical Musical Instruments in the Edinburgh University Collection Vol.2 Part E Fascicle i: Oboes (Edinburgh: Edinburgh University Collection of Historic Musical Instruments)

 

Ottenbourgs, Stefaan (1989) ‘Die Familie Rottenburgh, Teil 1: Genealogie’, Tibia no.3/1989 pp.477–489; ‘Teil 2: Die Instrumente’, Tibia no.4/1989 pp.557–567

 

Page, Christopher (1979) ‘Keyless Oboes in Southern France’, The Galpin Society Journal 32/1979 pp.133–5

 

Pierre, Constant (1893) Les facteurs d'instruments de musique, les luthiers et la facture instrumentale: précis historique (Paris: Sagot)

 

Raspé, Paul (1972) ‘De instrumentenverzameling van François-Joseph Fétis’ François-Joseph Fétis en het muziekleven van zijn tijd 1784–1871 (Brussels: Koninklijke Bibliotheek)

 

Romain, Pierre (1979) Les Albert, facteurs de clarinettes à Bruxelles de 1839 à 1950 (Bruxelles, Thesis ULB)

 

Shuman, James (-?-) Mendelssohn opus 24, paper available through http://jamesshuman.org/research.aspx

 

Silvestri, Giacomo (2020) 'Carlo Palanca and the Oboe: A Study of His Surviving Instruments', The Double Reed, Journal of the International Double Reed Society no.43/2020 pp.69-89

 

Soprana, Marco (NN) Un nuovo oboe: Carlo Palanca e Alessandro Besozzi pp.89–105, available through www.marcosoprana.it/Italiano/index.html

 

Steblin, Rita (2008) ‘Viennese Woodwind Makers in the Classical Era, with Emphasis on Friedrich Lempp’s request for Protection in 1768’, Journal of the American Musical Instrument Society no.34/2008 pp.26–73

 

Storch, Laila (1981) ‘100 Years F. Lorée: 1881–1981’, The Double Reed, Journal of the International Double Reed Society no.9/1981

 

Storch, Laila (1999) ‘George Gillet, le virtuose, le professeur....le maître’, La Lettre du hautboïste, Revue de l’Association française du hautbois, no.4/1999 pp.21–30

 

Triebert & Cie (1855) Nouveau prix-courant [Catalogue] (Paris: Caillet). Reprint in LARIGOT no.4/1989 p.4–7

 

Van Acht, Rob (1988) ‘Dutch Wind-Instrument Makers from 1670 to 1820’, The Galpin Society Journal 41/1988 pp.83–101

 

Van Acht, Rob, Bouterse, Jan & Dhont, Piet (1997) Niederländische Doppelrohrblattinstrumente des 17. und 18. Jahrhunderts. Dutch double reed instruments of the 17th and 18th centuries (Laaber: Laaber)

 

Van Aerde (1914) Les Tuerlinckx, luthiers à Malines (Malines, L. & A. Godenne)

 

Ventzke, Karl (1969) Boehm-Oboen und die neueren französischen Oboen-Systeme (Frankfurt am Main: Verlag Das Musikinstrument)

 

Ventzke, Karl (1977) ‘Henri Brod (1799–1839): Ein Oboenvirtuose als Oboenbauer’, Tibia no.2/77 pp.347–50

 

Ventzke, Karl (1985) ‘Zur Biographie der Oboenbauer Triebert in Paris (1810–1878)’, Tibia no.10/1985 pp.277–9

 

Verdegem, Stefaan (2008a) 'Sellner-type Oboes in Vienna and Mainz in the Second Quarter of the Nineteenth Century', The Galpin Society Journal 61/2008 pp.205–16

* Update version with new discoveries:

Verdegem, Stefaan (2009) ‘Oboen nach Sellner in Wien und Mainz im Zweiten Viertel des 19. Jahrhunderts’, Rohrblatt Vol.24 no.4 Dezember 2009 pp.206–16

 

Verdegem, Stefaan (2008b) 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)’, The Double Reed, Journal of the International Double Reed Society, vol.31, no.1, pp.121-4

 

Verdegem, Stefaan (2015)  ‘Fétis, Gevaert, Mahillon and the Oboe d’Amore’, The Galpin Society Journal, vol.lxviii (March 2015), pp.75–120

 

Verdegem, Stefaan (2019) 'WOLRAUPIER (most probably) = WOLHAUPTER', The Galpin Society Newsletter no.54 (May 2019), pp.5–6 (online accessible through galpinsociety.org). 

 

Waterhouse, William (1993) The New Langwill Index. A Dictionary of Musical Wind-Instrument Makers and Inventors (London: Tony Bingham)

 

Young, Phillip T. (1978) ‘Inventory of Instruments: J.H. Eichentopf, Poerschman, Sattler, A. and H. Grenser, Grundmann’, The Galpin Society Journal 31/1978 pp.100–34

 

Young, Phillip T. (1986) ‘The Scherers of Butzbach’, The Galpin Society Journal 39/1986 pp.112–25

 

Young, Phillip T. (1988) Loan Exhibition of Historic Double Reed Instruments (University of Victoria)

 

Young, Phillip T. (1993) 4900 Historical Woodwind Instruments (London: Tony Bingham)

 

Young, Phillip T. (1996) Die Holzblasinstrumente im Oberösterreichischen Landesmuseum (Linz: Katalog des OÖ-Landesmuseum)