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IND ?> Inv. number
2612
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CN/NP ?> Common name / Nominal Pitch
Oboe in C
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TS ?> Type or system
3 keys
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MK ?> Maker
Braet, I.A.
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IN ?> Mark, inscriptions
I.A / BRAET / (six-point star) – on TJ and MJ;
Mark “I” – on all 3 parts.
No mark on bell, but traces show that it might have been rubbed out.
- DM ?> Date of making 18th century.
- MATERIALS Boxwood with brass ferrules and keys.
- MEASUREMENTS
- Body Length 595mm
- TJ length (body + tenon) 218mm + 24mm
- MJ length (body +tenon) 213mm + 27mm
- B length 163mm
- Acoustic Length 335mm
- BORE
- Minimal bore 6.1mm
- Bore at end of TJ 11.6mm
- Bore at top of MJ 11.8mm
- Bore at end of MJ c18.3mm
- Bore at top of B c19.7mm
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TECHNICAL DESCRIPTION
Brass keys with round flat flaps type Young-Y for C-key; type Heyde-179/1 for Eb-keys, the keyhead being the mirror of its touch.
SATB (springs attached to the body).
Raised key rings not circular.
3rd and 4th hole doubled with finger cove.
Bell with 2 vent-holes and inner rim.
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FL ?> Faults
Fair condition. Warped body. Top ferrule missing. Inner bell rim chipped. Major (angled) crack around right Eb-hole. A few cracks in bell.
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UP ?> Usable Pitch
A = c398Hz with reed TL 81mm / 2-part staple 40.5mm + 27mm / tip width 9.5mm, and with reed TL 82mm / staple 59mm
ø 4.7mm / tip width 9mm.
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PC ?> Performance Characteristics
Very nice velvet sound, easy emission.
Quite even intonation.
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PO ?> Previous Ownership
Ex-Snoeck
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SR ?> Specific literature Reference
Mahillon (R1978) Vol.IV p.359.
Mentioned in Waterhouse (1993) p.43.
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Remarks
Very little is known about Braet. From his family name one could deduce that this maker came from the Low Countries or the 18th century Habsburg area.
This oboe, being a Haynes type-C, is very similar to the Nuremberg Cosins Oboe MIR375, being shorter though and thus probably higher-pitched. The origin of Cosins is also not known, but the family name suggests the Low Countries, and the Habsburg eagle in the mark would place this instrument and/or the maker in the Austrian Netherlands (1715–1795).
If so, these instruments seem to suggest that this type-C was not restricted to Italy in the early 18th century and England in the late 18th century (the “straight-top oboe”), as stated by Bruce Haynes (2001) p.84.
The type-C also appears on Rottenburgh (Brussels) tenor oboes, see MIM 0180, 2618 and 2619.
Mark possibly removed from bell.
Reed well extremely large.
Possibly pear-wood according to Charles Indekeu.